Through the use of little more than folds, Messerschmidt conjured baffled joy, pure anguish, leering sadism and other ...

There was significant pressure on the day in which director Michael Mann and his team filmed the violent car crash from the 1957 Mille Miglia race for his upcoming film Ferrari. “We only had one shot ...

Erik Messerschmidt talks about his approach to very different but equally excellent new films: "The Killer" and "Ferrari." Just seven years ago, Messerschmidt was a respected gaffer on series like ...

Franz Xaver Messerschmidt, Character Head Number 33, “An arch villain” (1777/1783), pewter casting (79.9% tin, 18.8% lead), 39 x 26 x 25 cm, height above ground: 105 cm (all images courtesy Belvedere ...

Michael Mann’s “three decades of research” provided the key to putting audiences in the driver’s seat of vintage Ferraris racing down a thousand miles of Italian roads that are well known for taking ...

Michael Mann and David Fincher are often considered the directors who held our delicate little hands as we shouted about how digital was going to ruin celluloid, answering film lovers’ fears by ...

Erik Messerschmidt worked with the directors Michael Mann and David Fincher to create cohesive worlds that feel nothing alike. By Calum Marsh Michael Mann’s new drama “Ferrari,” about several ...

The Oscar-winning DP of 'Mank' combined aggressive action sequences with a painterly look for the Italian automaker’s personal story. By Carolyn Giardina Tech Editor There was significant pressure on ...